
I finally watched The September Issue this weekend (twice). It was not widely shown in Seattle when it was in theaters, and I missed my chance, so I could hardly wait for it to be released on DVD. For those who aren't familiar with this documentary, it profiles the development of Vogue Magazine's largest issue each year, September. The issue is referred to, half-jokingly, in the movie as "the size of a phone book" and it is pure pressure on the editors to get it right. The main character profiled is the editor-in-chief for 20 plus years, Anna Wintour. She is truly a style (and character) icon in the fashion industry. The movie The Devil Wears Prada is loosely(?) based on her. It is widely known that she can be icy, direct, ruthless, and demanding. It is amazing to watch her, and I'm very happy to do it from afar. I love that Anna comes to work each day in impeccable clothes, done up bright
colorful prints, and usually wears sunglasses most of the time. I love
that the staff around her usually wear all or mostly black, seem to
wear no or very little makeup, and look slightly dowdy, as if they desire to be in the background. Its a really interesting
contrast.
She has a few key characters by her side at Vogue. Andre Leon Talley, Vogue's Editor At Large (what a great title for him) comes to mind (pictured with her above). He is also quite a character, literally and physically filling a room...often wearing flowing capes, feathered and adorned hats, and fur. He brushed my arm with his cape in a hotel lobby in Milan years ago when I was employed in the fashion industry, walking with Elsa Klensch, the style director at CNN at the time. (There you have it, my small, literal brush with greatness.)
I was very intrigued by Anna, but the real hero and favorite of the film for me was Grace Coddington, Vogue's Creative Director (above left). She styles many of the features in Vogue and is considered a brilliant stylist and visionary. I absolutely fell in love with her while watching her work. She really seems to care deeply for what she does. She seems to be a likeable person, yet is able to communicate direct vision and instinct about what she cares about at Vogue without being nasty. Many around Anna Wintour seem to cower in her presence, but not Grace. She fights for what she feels is important, worthy, relevant, and she does it with, well, grace! Watch the movie and you will understand why that is not easy to do. I would really like to meet her and spend a day tagging along behind her.
Having worked in different aspects of the fashion industry in my 20's, and looking back in the years since, I slowly came to realize that many of the great visionaries in fashion are really quite literally unable to deal objectively with others around them. Let's face it, fashion is so incredibly esoteric and unimportant in the scope of the world's problems, we all know that, but there are those (like the Anna Wintours) who feel that world in an incredibly emotional level, and they are fascinating to watch. These people do not work at dealing with people, I believe, simply because they are very much focused on the internal pressure they put on themselves instead. Tremendous pressure. At a consumer level, I need these people to care about fashion, or I probably wouldn't give it a second thought...ever. Interestingly, working in a small part of the fashion industry while in my twenties, I didn't understand this. I thought these people were mean and nasty simply because they could be. I took it very hard at times, their words could be biting and hurtful. I was not yet thick-skinned enough to deal with it. I think that's why I admire Grace's role at Vogue so much.
But it is a fascinating world, I loved and value every minute I spent in it. I worked with some extremely talented, hard working, well-respected people who have become lifelong friends. When you're "in the trenches" of anything, I think you bond with those around you moreso that you would otherwise. I think its interesting to dissect my inability (for the most part) to sew clothing for myself. I am tough on myself in this area, and I think it inhibits me greatly. I have seen patterns tweaked endlessly over and over just a tiny bit here or there, in hopes that it will finally hang right. How can I possibly do that in my own home sewing? Its very interesting for me to think about.
Thanks for letting me ramble. I think this is truly a fascinating movie for anyone. I love close up studies of anyone who cares passionately and deeply for something, and fashion is no exception.